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When Ben Ratliff, a well known jazz and pop music critic, was asked what he thought of Kenny G’s music, he struggled to give an assessment. Many squirm like toddlers at the dentist, with looks of discomfort across their faces as Kenny G standards like “Songbird” play in the background. Some of the funniest scenes in the documentary come when jazz critics are asked to appraise Kenny G’s music. It has furnished many Internet memes, and shows like “Saturday Night Live” and “South Park” have made fun of his “Snooze Jazz.” His music has been described as bland and soporific - like an aural hit of Ambien. Kenny G’s devotion to his craft, though, will probably not impress his critics.
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He is relentless striver - practicing his sax at least three hours each day - with a compulsive need to get better at everything, even if it’s just baking an apple pie in his opulent kitchen. What comes through is that Kenny G probably would have been successful at whatever he chose to do. commerce debate, and offers some lessons on what it takes for someone to be successful in any field. It explores racial prejudice and the art vs. The documentary also asks bigger questions outside of music.
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The film suggests that Kenny G, who just released his first album in six years, is not only unappreciated but a groundbreaking artist who pursues perfection and innovation in his own sweet way. “ Listening to Kenny G,” which premiered this week on HBO Max, offers surprising glimpses into the songs and private life of the skinny, White guy who became the face - and hair - of smooth jazz. Jazz guitarist Pat Metheny has dismissed Kenny G’s style as “ lame-ass, jive, pseudo bluesy out-of-tune, noodling.”īut a new documentary film by Penny Lane may lead some of Kenny G’s critics to reconsider. The Jazz Police - fans and critics who are self-appointed enforcers of jazz purity - have called Kenny G’s music “safe sax” and compared it to takeout Chinese food (“an hour later you’re hungry again”).